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06.30.04 my clinton moment A dozen or so years back, I set a goal for myself. I wanted to meet two men: Bruce Springsteen and Bill Clinton. It's not like I was an enormous fan of either of them; they just had a sort of larger-than-life quality that I was curious to experience in person. As it turned out, meeting The Boss was a virtual cakewalk compared to meeting The Prez. I had a brief meet 'n greet with Springsteen before one of his Lucky Town/Human Touch shows. Bruce, then the biggest rock star in the world, seemed very nice. He was shorter than I thought he'd be. I got his autograph, which I hope I still have somewhere in a box of 1990s mementos. Despite the fact that I was employed at the time by a genuine Friend Of Bill, I had no luck wangling an audience with the leader of the free world. Admittedly, I wasn't particularly aggressive in using my connection. I was a lowly researcher/assistant. I wasn't going to get all up in his face about scoring an invite to the White House. Years passed before my opportunity finally arose. Cody's Books in Berkeley announced that they were going to be hosting a book signing with former President Clinton to promote his autobiography, My Life. This was it! All I had to do was pre-order the 950-page doorstop for the low, low price of $25 plus tax, and I would be entitled to a pink ticket that would allow me to get my book signed by the man himself. "We're telling people to get there early," said the young bookstore clerk when I went to pick up my copy, "like around 7 or 8 AM." The signing wasn't due to begin until noon. Throwing caution to the wind, I arrived at Cody's around 9:30 AM; unsurprisingly, by this time, the line stretched around the better part of a city block. Some people had camped there overnight. I figured, I had my ticket; if I was the 800th person in line, so be it. Armed with a copy of Entertainment Weekly, I sat down on the curb to wait. I thought there would be lots of good old-fashioned Berkeley street theater, but things were pretty low-key. There were several entrepreneurs selling Clinton and Kerry buttons and anti-Bush paraphernalia; many people came through offering voter registration forms. One Arthur Slugworth-like character tried to tempt people into coming back with their newly-signed books to part with them for $300 a pop. The Cal brass band serenaded the crowd with an odd blend of songs, including one I had trouble placing until I figured out that it was an instrumental arrangement of Michael Jackson's "Smooth Criminal." Interesting choice. Shortly after noon, the buzz started going through the line: he's here, he's here. We shuffled closer to the bookstore with excruciating slowness. Finally, at 2:30 PM -- five hours of waiting! -- I was ushered in to Cody's. A hunky Secret Service agent flipped through my copy of the book to make sure I hadn't secreted anything within its pages. A less-hunky agent wanded me with a portable metal detector. Finally, I was allowed to climb the stairs to the second floor, where he was standing. Unfortunately, they were only allowing 4-5 people at a time on the second floor, and things moved so quickly that there was no time to stand there and study the man. Everyone got, like, 5-10 seconds with the ex-president. One employee opened the book to the correct page; the former president signed with his left hand, shook with his right; a second employee whisked each finished book away and gave it to you. After all of that agonizing waiting, I was finally face to face with Bill Clinton. Again, I was never Clinton's biggest fan while he was in the White House, but I'd always heard that he had this incredible charisma. It's true. The man is practically radiant, as if he was lit from within. I watched him begin to sign his name with a bold blue pen, and realized that this was it -- if I wanted to give my little rehearsed speech, it was now or never. "IwasexcitedtoseethatyoumentionedTaylorBranchinyourbook," I said, at approximately the same rate of speed as the radio announcers who read the "fine print" about APRs in ads for car dealers. "Iusedtobehisassistant." I can't remember exactly what Clinton said, but he smiled and expressed some sort of interest along the lines of, "Oh, is that right," so I continued. "YesIusedtoliveinBaltimoreIhelpedhimresearchPillarofFire."
As I left the store, I caught a glimpse of my reflection. I looked bedraggled -- just like someone who had been sitting on a curb in downtown Berkeley for five hours in the sun, wearing a hat (which a Cody's employee kindly held for me as I got my book signed). I had a bad case of hat hair and my lipstick had faded. Clinton, in a crisp navy suit, every silver-gray hair on his head perfectly coifed, looked as though he'd just come from a morning at the spa. I wish I'd had more time -- not necessarily to chat, but to look. I hadn't even noticed the color of his tie (pink, according to a newspaper article), or whether his nails were freshly manicured (I'm guessing yes). My Clinton moment worked out to around 30 minutes of waiting for every second I spent in his presence, and cost $2.50 a second. Right then, however, I felt like I had gotten a bargain.
06.28.04 this entry contains zero net carbs No matter where we stand on the political issues of the day, can we all agree on one thing, namely that this low-carb trend has gone far enough? I just saw an ad for Metamucil, of all things, claiming that the fiber laxative is carb-free. Next, I suppose Colgate will start advertising that brushing your teeth with their toothpaste will not boost your daily intake of the dreaded carbs. We ate lunch at a Berkeley restaurant over the weekend that serves nothing but pasta. That's right -- 10 entrees on the menu, all of them pasta. (Salad and the soup of the day are also available as appetizers.) And before they bring you the pasta, they give you a generous plateful of bread and butter. Honestly, it felt like we were dining at the 21st-century equivalent of a speakeasy. The small eatery was about half-full, but a few doors down at a neighborhood bakery, a sign posted at the cash register read: "Because of the low-carb craze, our bread-making schedule has been reduced." For shame, Berkeley! I want you all to go out right now and eat a big bowl of spaghetti.
06.27.04 moore, moore, moore Despite what I wrote in my last entry, we liberals all got the message from central command: if you know what's good for you, you will go see "Fahrenheit 9/11" on its opening weekend. And so we obeyed, and went to the Grand Lake Theater in Oakland, a theater that is so Moore-friendly that its marquee is currently pictured on the main page of Moore's own web site. I like the Grand Lake because it has true bargain matinees ($6!) and they don't show ads before the films. I've seen a lot of movies there on their opening weekends, including megasmashes like "Signs," "X-Men United" and "Minority Report" (OK, maybe the last one wasn't exactly a smash, but I liked it a lot). Usually, you can get there about 15 minutes before the scheduled starting time of a Sunday matinee and be assured of getting a good seat in its spacious main auditorium. Today was different. We arrived at 11:15 AM, half an hour before the movie was due to begin. There was quite a line of people waiting to buy tickets. Once we got inside, amazingly, there were very few seats left -- we had to sit in the third row. On a Sunday morning! The Grand Lake has famously decided to disregard the MPAA's R rating and is admitting all comers. To my left sat two boys, probably in their mid-teens. They borrowed the comics section from our paper, and I heard them discussing Transformers (who knew kids still played with those?). Let me just say that this movie is exceedingly difficult to sit through, and then tell you that you should still see it, because it's an important film. No, I don't necessarily think everything Moore says is the gospel truth, but there is footage in this film that will make you think twice about what's going on in this country today. We see the president welcoming what he calls "the haves, and the have-mores" to a fund-raising dinner, quipping, "Some call you the elite; I call you my base!"; incredibly aggressive Marine recruiters stalking teenagers at a down-at-the-heels mall in poverty-stricken Flint, Mich.; a senior citizen in Oakland -- Oakland! -- who was turned into the FBI by his fellow gym rats for an anti-Bush statement he made while working out. This film is not anti-American or anti-troops. If you are a bleeding-heart liberal like me, you will likely be disgusted and depressed by the events portrayed in "Fahrenheit 9/11." But three things gave me hope. One, the kids sitting next to me got up at the end of the film and gave it a standing ovation. Two, the huge line snaking around the block, waiting to get into the 2:15 showing (something that's also been happening all over the U.S.). And three, that we still live in a country where a movie like this can get national distribution, and I have the freedom to go out and see it.
06.25.04 movies you haven't seen Michael Moore's "Fahrenheit 9/11" opens today, and unless you've been living in a cave for the past couple of months, you already know it's a scalding indictment of the Bush administration. As a longtime Moore fan who has seen all of his theatrical documentaries and TV shows, I feel I should go. But the thing is, whenever W is on TV or even just on the radio, I have the same visceral reaction I get from those shrill Carrot Top "CALL-ATT" commercials. I don't want to watch two hours' worth of clips of W making an ass out of himself. Instead of punching my fist in the air, I fear I would just be cringing in my seat. I mean, there's already no chance I'm going to vote for the guy, but I want the film to do well. Should I go and pay my $9.50 and sneak in to see "Dodgeball" instead? This morning, I was thinking about one of my favorite films from the 1990s, "Living In Oblivion." I used to check periodically and see if it had come out on DVD yet, but I must not have done so in a while -- it turns out that it was released over a year ago. This is an underappreciated treasure, a hilarious satire on independent filmmaking. It grossed just over a million dollars in the U.S., so you probably missed it. As a public service, here are three other obscure films available on DVD that you may want to rent. Any one of them should have made lots more money than, say, "White Chicks." "The Independent": U.S. gross, $238,431. Another movie about making movies, this one featuring Jerry Stiller as the auteur behind such B-movie classics as "LSD-Day," "Hot Pants Hoedown," and "Teenage Flag Burners." Janeane Garofalo plays his daughter. Does for exploitation filmmaking what "This Is Spinal Tap" did for rock 'n roll. "Camp": U.S. gross, $1,628,154. I think this movie sort of got pigeonholed as a film about gay teens, but it's actually got gays and straights and undecideds, and anyone who's ever felt like an outcast will identify with it. I just feel so much affection for this film and its energetic young cast, and recalling the "Ladies Who Lunch" scene still gives me goosebumps. "Tillsammans" ("Together"): U.S. gross, $1,069,156. Swedish filmmaker Lukas Moodysson is a major talent, and I think this is his best movie. In the mid-1970s, a woman takes her two children and moves into a commune to escape her alcoholic husband. Most of the people in the commune are, of course, pretty nutty (beloved Swedish icon Pippi Longstocking is denounced by one member as a materialist and capitalist), but this is a loving send-up with many memorable characters. If there is anyone out there reading this who has actually seen all four of these obscure films, I'd love to hear your recommendations.
06.23.04 where they go back to school If you liked the David Sedaris story, meet me back here next Wednesday -- I will be attending another potentially interesting book signing event, featuring a man with the initials B.C. I will be alone, so there is no chance anyone will mention my dislike for, say, cheeseburgers, Fleetwood Mac's "Don't Stop," NAFTA, or cigars. I took the Dreamweaver class on Monday -- it was actually a LearnIt! class; the Learning Annex just resells it (strangely, it's actually $50 cheaper when you register through L.A.). It turns out that the DW class is actually three days long; L.A. only sells the first day. It would have cost me $440 to go on days two and three, and it would also have involved getting up at 6:30 AM again, so I decided that I would simply have to learn as much as possible on Day One. Lamentably, I missed such potentially useful topics as creating external style sheets and using layers. I am hoping I'll be able to figure that stuff out on my own; otherwise, maybe I'll save my pennies and take those modules later in the summer. You'd think that after nine years of creating web sites, I would be able to just use a book or something. You'd be wrong. I don't find DW intuitive in the least. Luckily, the class helped tremendously. I completely redid one of my oldest sites in DW yesterday -- no external style sheet; oh well. I was seated next to a youngish guy who worked for a major worldwide investment firm (one of Joe's ex-employers, as it happens). Every time I happened to glance over at his monitor (yes, I'm nosy), he was browsing Friendster.com. I felt annoyed, the way a working single mom who is putting herself through college must feel about the frat boys who get a free ride from their rich families, the ones who never show up for morning classes because they're hung over from partying the night before. Don't you know how lucky you are? Someone else is picking up the tab for your learnin'! Really, there's nothing like paying your own way to make sure you hang on the instructor's every word.
06.21.04 david sedaris hates me I first became aware of David Sedaris in the mid-1990s, when he was doing commentaries for NPR. The bizarre slice-of-life stories, told by Sedaris in his inimitable deadpan, high reedy voice, were like nothing else on the radio. After reading his first couple of books, I became a fan. Every time he passes through the Bay Area, I go, although this has gotten more and more difficult. Sedaris has gone from cult hero to bona fide star -- his latest book, Dress Your Family In Corduroy and Denim, is number one on the bestseller list (though it will no doubt soon be eclipsed by the Clinton book). My local bookseller, Cody's, instituted strict rules for the latest Sedaris signing. If you were one of the first 150 people to buy a copy of Dress Your Family the day it went on sale, you received a ticket for Sedaris' reading, guaranteeing you a seat. For an additional $5, you could purchase a second ticket. I got to Cody's at around 11:45 AM the day the book came out, figuring I'd have plenty of time to get tickets; it turns out that mine were numbered 145 and 146. Sedaris has a lot of fans around here. The event was on Saturday. At 6:30, most of the seats were already full, and the bookstore was jammed with the standing-room-only crowd (that also required buying the book in advance -- nobody was getting a free evening's entertainment that night). Sedaris ambled through the crowd, signing books; unfortunately, his pen ran out of ink as he was accommodating the two girls sitting to our right, and when he came back into view, he was immediately mobbed by fans. Not wanting to leave our seats, we decided to wait until after the reading to get our book autographed. Sedaris read "Blood Work," one of the hilarious stories he had presented when we saw him in January, before the book came out. After offering up some short, humorous pieces that don't appear in the book, he took questions from the audience, and announced the protocol for tonight's signing: smokers first. And you couldn't just bum a cigarette off someone; you had to possess an entire pack to cut to the front of the line. This policy was instituted because as smokers, "our time on earth is limited enough as it is," explained Sedaris, a diehard nicotine addict who divides his time between smoker-friendly Britain and France. Luckily, this being Berkeley, there weren't too many smokers -- three dozen, maybe. Everyone else had to wait in an unbelievably long queue that snaked through the entire store. Since we'd been seated, instead of way back in standing room, we were around 25th in the nonsmokers' line. When we got up to the front, Joe blithely announced to Sedaris that he was an ex-smoker, and in fact, I had given him an ultimatum: quit, or else. This is true, although I will point out that Joe's habit was not as entrenched as it had been when he was in grad school; by the time I met him, he was mainly a social smoker. However, to David Sedaris, I was now The Enemy: not just a non-smoker, but one who has converted people. He might as well have announced to a Lutheran minister that he had been a God-fearing individual until I had set him on the path to worshipping Satan. Sedaris effortlessly sketched a burning cigarette butt on the title page of our book with the practiced hand of one who has drawn this particular doodle thousands of times. "You need to start smoking again," he said. "In fact, smoke in bed. You'll see how strong your relationship really is!" The essayist handed over our book while regarding me with narrowed eyes. I slunk out of the store's back entrance, into the cool, smoke-free Berkeley air.
06.18.04 two jills I referred to "Jill" in yesterday's entry, momentarily forgetting that 125 has two Jills in its roster (Tracy and Olson). One's a little bit country; the other is a little bit... uh, macabre and noir. My dad is very involved in Rotary, which has a variety of exchange programs that send businesspeople overseas on cultural and educational trips. When traveling, the visitors stay with "host families," and usually bring small gifts for them. Anyway, a group of schoolteachers from his district is going to Thailand, and someone happened to mention that Thais love American country music. I have no idea whether or not that's actually true, but my dad asked if we could donate a box of Jill Olson CDs for the teachers to distribute to their Thai hosts. Of course, we were happy to comply -- anything to build cross-cultural goodwill. I believe this will be the first 125 product ever to cross the border into the country of Thailand. Who knows, maybe Jill's music will catch on, and she'll be the next big thing on the Thai pop chart.
06.17.04 outdesign Oops -- Robert doesn't use InDesign! Oh well. He mentions me (and Hobie!) in his blog today. It was fun hanging out, in any case. He's going to try to find someone at his workplace who knows the program. Robert is a Photoshop god, though. Having mastery over one Adobe product is certainly more than I've ever managed. I'm totally self-taught at Photoshop -- I used to know it really well, but Adobe keeps upgrading it and adding new functionality, and I feel like I'm using, like, 5% of its capability now. What the heck is the "Healing Brush Tool"? The Learning Annex is offering a lot of computer classes. I'm sure they're fine, but it would be a little weird to take a Photoshop or Dreamweaver class from the same people who bring you Discover Your Past Lives: Who Were You Before?, How To Date A "10" and Animal Reiki. Jill is down in L.A. this weekend to perform at The Parlour Club's Bricktops. This weekly event is hosted by drag queen Vaginal Davis. Quoth the New York Times: "Vaginal Davis is a utopian artist," said José Esteban Muñoz, a professor in the department of performance studies at New York University, whose writings on the artist tend to place him somewhere on a continuum that encompasses both Dada and the Surrealists. "Vaginal comes out of the L.A. punk scene, and she surpasses that scene, building on it and incorporating what is called outsider art," Mr. Muñoz said. I almost wish I could go, but I can't even imagine how uncool I would feel in a place like that.
06.16.04 welcome to the machine I read all of the posts at Fly on the Wall and was sorry when I finished. Write faster, whoever you are! I've checked out a few of the other anonymous Hollywood blogs, but this is the first one that I've bookmarked as a must-read. It's witty, insightful and snarky. Maybe the problem with my blog is that I lead a relatively dull life; I've certainly never run into Harrison & Calista, or even an elderly Ronald Reagan. I suppose my only distinction is that I run a small record label -- surely, the music industry is glamorous and fascinating? Maybe I'll blog about that for a while. Here, I will add that while Joe is the label's figurehead, I actually do the majority of the work, which includes everything from hauling boxes to and from our storage unit, mailing out the orders, updating the web site, and dealing with our artistes. This is fine with me. I prefer to stay in the background. Joe gives quotes to the media when called upon (don't laugh, it occasionally happens). Currently, I am working on our forthcoming CD: Statuesque's Choir Above Fire Below. It is due out in August, and the band has scheduled several gigs then, so my goal is to get it to the pressing plant within the next couple of weeks. We are going to be using CDMan.com, a Canadian company recommended by our pal Tim Walters, who has used them in the past. Stephen Manning, who for all practical purposes is Statuesque, did all the artwork himself (is this guy multitalented or what?) and sent it to me as .TIF files. My mission: to place the .TIF files into CDMan's Adobe InDesign templates. So I download the templates, and they won't open, because I have InDesign version 2, and there's already a newer version -- CS. Honestly, you could go crazy (and broke) trying to keep up with all of Adobe's updates. Luckily, Adobe is offering a 30-day free trial of CS, so I needn't shell out for the upgrade right away. I install CS and open the templates. Since I don't actually know how to use InDesign, this is slightly problematic. Robert is coming over this evening to assist. Sometimes, a person has to admit that she can't do everything on her own. I do hope to learn how to use InDesign someday -- maybe after I'm done struggling with Dreamweaver, a program that irritates me because that stupid Gary Wright song runs through my head every time I open it.
06.15.04 fly on the wall This blog is a lot more interesting than mine. Hard to believe, I know, but it's true.
06.14.04 one day the cherries were all gone Where did cherry season go? I bought cherries a few times over the course of maybe three weeks, and now they've either disappeared from the stores completely, or are prohibitively priced at $5.99/pound and up. Is the season really that short, or was it a bad year for cherries? I love cherries and can't stand the fact that they're gone already. Strawberry season seems to last for a luxurious 4-5 months here. Peaches are coming up soon. Raspberries are always too expensive. Grapefruit are one of the few bright spots of the winter produce season, along with caramel apples (it's a fruit and a candy!). And blueberries... in Michigan, you can buy buckets of them, plump and delicious, for practically nothing; here, they're too small and overpriced. But all of those fruits pale before the almighty cherry, in my opinion. Sigh... off to Cherry Republic to ogle the product line.
06.13.04 brush with greatness I am occasionally jealous of my celebrity-spotting friends -- I never see anyone famous. I've never even spotted any of the local celebs, like Robin Williams or (during her brief but high-profile tenure here) Sharon Stone. However, today I hit the jackpot. I met "Baxter," the cute Boston Terrier from those black & white Zyrtec commercials. You know, the dog that's impatiently pulling his owner along while she's struggling with her runny nose. The pooch's real name is Buckle and despite being entirely convincing as a male dog, she's really a she. (She cites Linda Hunt in "The Year of Living Dangerously" as her role model.) Buckle is also tiny in person ("the camera adds five pounds," said her owner). Buckle was tussling playfully with an equally small Boston. It was freakin' adorable. Yesterday answered the question, "Is there ever such a thing as too much baseball?" Yes. Yes, there is. The Giants vs. the Orioles: two games (one of them a make-up for Friday's rain-out), twenty-three innings, over eight hours of play. Too much baseball.
06.11.04 unbooked Devil Rays: so bad
One of my two local public library systems is cutting its hours and its acquisition budget. It will be spending 25% less on new materials, the central library will be shortening its hours and closing on Sundays, and the branch hours will be significantly reduced. I think this is going to be the wave of the future for public service facilities, most certainly including libraries, in Ahnuld's California.
06.10.04 parting is such sweet sorrow I can't remember the last time I listened to a vinyl album or single. There's usually stuff piled on top of my turntable (currently: a notebook, two note pads, a CD master, a couple business cards, and a press release from Pink Hedgehog). I should be able to get rid of all those LPs, and free up the space. So why can't I? Maybe I'm holding onto my past -- a lot of them date from my years as a college DJ. Good times, people. But many unlistened-to CDs are also inexplicably hard to toss. I mean, I haven't listened to Tori Amos in years, and yet I have an entire shelf-full of Tori CDs. Some of them are probably worth a lot of money on eBay. Books are also difficult to discard. I have way too many of them, and I rarely reread anything. I've started borrowing from the library new books by my favorite authors, like Anne Tyler or Sara Paretsky, instead of buying them, just so I won't have to fret about whether or not to keep them. I'll never get rid of my real treasures, like my signed first-edition copy of Sue Grafton's "F" is for Fugitive, but I hope I'll eventually be able to bag up more of my collection and donate it to the Friends of the Library book sale.
06.09.04 mona lisa smile Secret societies. Killer monks. Private jets. Mysterious puzzles. Priceless works of art. Freaky sex rituals. Ancient symbols. Swiss banks. The Holy Grail. Goddess worship. The DaVinci Code is the best book ever. OK, not really, but it's certainly the most difficult-to-put-down book that I've read in ages. Dan Brown knows how to write a thriller; every one of the short chapters seems to end with a cliffhanger, and Brown is constantly teasing us with the possibility of revelations to come (Why was Sophie estranged from her grandfather? What is the secret that Opus Dei is so desperate to protect?). I know the theological content of this book has been very controversial, but I think everybody is reading The DaVinci Code because it's a fast-paced suspense novel, not to learn about the history of Christianity (it is classified as fiction, after all). The structure of the book is simple; basically, three things happen: 1. A couple is on the lam. Running, running, running. 2. Scholar hero pauses to give lecture to cryptographer heroine. 3. Puzzle-solving. Lather, rinse, repeat, for 450 pages. Most of the book's action takes place in one single 24-hour time period, so there's certainly no character development. And yet... I couldn't stop reading it, and it's fun to try and solve the riddles and puzzles. My recommendation: take its history with a grain of salt, but do take The DaVinci Code on your next long plane ride.
06.08.04 ice ice baby Behold the sixty-dollar ice cube tray.
06.07.04 reagan youth Nineteen-eighty-four was the year I became a Democrat. I was too young to vote, but I had been a Republican all my life, volunteering at G.O.P. Headquarters and even attending the occasional fund-raiser (somewhere, I have a photo of myself with Barbara Bush). I had even written an embarrassingly naive op-ed piece for the local newspaper, lauding President Reagan's military build-up; my friend Bill Marsh, who is now on staff at the New York Times, elegantly rebutted it in an accompanying counterpoint. I am just grateful that it was in the pre-Web days, so while I'm sure it still lives on in some dusty microfiche at the public library, at least it can't be found online. Then, for some reason, I turned against Reagan in 1984. I don't remember why. Maybe it was because I had moved away from home, and was no longer directly under the influence of my Republican family. I was in a big city, no longer living in the hometown of a former Republican president. I had started listening to bands like Husker Du and Killing Joke. That autumn, I attended a cheerless rally for Walter Mondale, who was about a zillion points behind in the polls. Folkie Stephen Stills provided the "entertainment" for the handful of diehards who refused to believe it was Morning In America. On election night, I attended a concert by then-It Band Frankie Goes To Hollywood in Washington, D.C. We all knew Reagan would win reelection in a landslide. All we could do that evening was dance, and try to put out of our minds what we knew would be the next day's headline.
06.04.04 hung by a jury of his peers Giants blow their lead
There was an insightful article in the morning paper about William Hung, and how wrong it is that he's sold 100,000 copies of his CD Inspiration when thousands of independent artists (heck, even a lot of major label artists) would give their left arms to be that successful. I'd link to it, but it requires registration, which annoys me. The "American Idol" reject should have come to the end of his 15 minutes of fame weeks ago, but he's still in the public eye, most recently singing "Take Me Out to the Ball Game" during the seventh inning stretch of a Toronto Blue Jays game. The appearance attracted "hoards (sic) of media, more than the amount which covered the Blue Jays' opening day." Personally, I am thrilled to bits when one of the CDs released by 125 sells in the high three figures (two of our discs, Jill Olson's My Best Yesterday and the Loud Family's From Ritual to Romance, have come close to reaching that magic four-figure mark). Yes, it's frustrating to see a dubious talent like Hung have a best-selling CD -- Inspiration has sold on a par with "American Idol" runner-up Justin Guarini's debut album -- but really, how many of the people who purchased the disc will still be listening to it a few weeks, much less years, from now? I suspect multiple copies will be turning up in Amoeba's dollar bins by the time Hung graduates from UC Berkeley.
06.03.04 a haiku The streak has ended
06.02.04 auf wiedersehn What do you say when you say goodbye? I usually say a succinct "'Bye," but I've noticed that NPR hosts, particularly Neal Conan of Talk of the Nation, often bid interviewees farewell by saying, "Bye-bye." To me, that makes me think of a parent cajoling her child to "say bye-bye." I never thought of it as the kind of phrase adults, much less ones on a serious national news program, say. Perhaps they feel "goodbye" sounds too stuffy, "'bye" too casual, and "buh-bye" too reminiscent of that old David Spade sketch on "Saturday Night Live." We're Americans -- we have to be informal! I doubt you ever hear "bye-bye" on the BBC.
All content © 2004 by Sue Trowbridge |